Monthly Archives: January 2016

Album Review -JET PLANE AND OXBOW – Shearwater

jetplaneandoxbowshearwater

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And as of 01/25/16 the full album is streaming live here:

Dear Music Appreciators,

When I press play on an opening track like “Prime,” the change is almost instant. The music I hear is so appealing it changes my life. The ordinary life becomes the extraordinary life just by virtue of the music, if only for a few minutes. Ironically, I don’t really even know what Jonathan Meiburg is singing about. I can’t easily understand all the lyrics, but it doesn’t matter. In this case it’s all about the music and the feeling. And to me, music like this feels amazing. But why? It’s that electronic hook mainly. It lights up something inside me – some kind of internal recognition receptor turns on and just, like, glows. It’s like something was out there, or maybe it was inside me, and I knew it was there but I couldn’t find it, so I couldn’t say, it but I can recognize it when I hear the band play it.

And that’s just the first song.

And no, they’re not all like that. Musicians can’t be magicians every time. But in the case of JET PLANE AND OXBOW, the power of Shearwater’s opening trick is strong enough to light a path all the way to the end of the album for both the band and their listeners.

Sincerely,

Constant Listener

Album Review -WILD STAB – The I Don’t Cares

theidontcareswildstab

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Dear Music Appreciators,

The last time I listened to Paul Westerberg it was 1992 and it was the songs “Waiting for Somebody” and “Dyslexic Heart” on the SINGLES soundtrack. The last time I listened closely to anything Julianna Hatfield has done it was 1993 and the album was BECOME WHAT YOU ARE. After hearing these two as The I Don’t Cares on WILD STAB, I think I may just have to rewind over twenty years and do a do-over on paying attention to their careers.

This is simply a great rock and roll collaboration record with something for everyone, and it’s brought to you by a couple of seasoned musicians who still have star power and who really know what they’re doing.

“Back” kicks it off by getting all indie rock pensive and poignant, but its follow up “Wear Me Out Loud” brings on the hooky rock-a-tude right away. Enjoy a little gimmicky humor with a song about having to pee (“1/2 2P”) before “Sorry for Tomorrow Night” busts out the fiddles around some lovable loser lyrics. On “Dance to the Fight” Julianna Hatfield takes the lead and sweetly rocks out on sour lyrics like “drunken, flunken out, I’m on my hands and knees on a Friday night.” This is followed by just a wee bit of a contrast with the slow down and cuddle up vibe on “Kissing Break” (a song that’s ready for some rom-com movie montage).

And technically the record’s not even half over yet. I’ll save the second half for you to experience without any spoiler clues, but I will say this:

Give this record a chance to be heard on something good. No ear buds, okay? No tiny bluetooth speakers in a noisy room, alright? You should break out some good headphones, preferably the kind that have ear pads of some kind. I speak from experience. For this one I started on my iPad streaming to a cheap little Amazon Basic bluetooth speaker while I was distracted doing something else, and it was nothing special. But when I put on the good headphones and paid attention it all came alive and it was great. Get to know this record on something good before you let it get short changed on something convenient.

So far I can’t decide whether I like the first half of WILD STAB better or the second half. This is a very good problem to have. And when my favorite song is the last song on the album, I think that’s a very good sign. This is a Record with a capital R and as music appreciators we’re lucky to have it.

Sincerely,

Constant Listener

Album Review – WAKING UP THE GIANTS – Grizfolk

grizfolkwakingupthegiants

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Dear Music Appreciators,

Who are these guys? I like them. I like them a lot. They have a big, polished, radio friendly sound and for now I won’t hold that against them. It’s a pleasure to press play on the debut album of a band I’ve never heard of and to be so pleasantly surprised.

And this is one of those rare albums where I find myself waiting in vain for all the good songs to be over. Where is the filler here? It all sounds so good I almost don’t trust it. If I wanted to be critical I guess I could say nothing really challenges the listener here. Musically speaking, if Grizfolk is picking the listener up for a date, they don’t sit in the car and honk the horn and then brood mysteriously when you get in. No, Grizfolk comes to the door and walks you to the car. They’ve got flowers for you and all that. They make it easy to like them – if you’re not too jaded that is.

With a name like Grizfolk I expected more guitars I guess. Maybe more of an acoustic flavored folk rock sound. Not so much here. Yes, the guitars are there but there are no big guitar solos and the overall sound of the band seems more keyboards and drums driven. Much of the album is dipped in a poppy, electronic coating that candies everything up nicely. Hooks abound, and you may find yourself singing along pretty quickly. There are multiple moments that sound taylor made for big crowd concert sing alongs.

Speaking of concerts, after listening to WAKING UP THE GIANTS I found myself wanting to know more about Grizfolk. Who are the band members, where are they from, what are they like, and what do these guys sound like live? Holden Caulfield said certain books make you “wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it” I say that certain albums make you wish the band was from your hometown and you could go see them live and in concert whenever you felt like it. WAKING UP THE GIANTS by Grizfolk is one of those albums.

Sincerely,

Constant Listener

Album Review – 4 1/2 – Steven Wilson

stevenwilson412

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Dear Music Appreciators,

Here is an alphabetized list of random words and names that came to mind while I listened to 4 1/2 by Steven Wilson:

addictive, artful, art-pop, atmospheric, avant garde, epic, experimental, futuristic, George Harrison, groovy, grungy, hard rock, haunting, healing, heavy, industrial, jazzy, Jeff Lynne, Jon Auer, Led Zeppelin, Manheim Steamroller, masterful, Neal Casal, Nick Drake, noirish, outer space, prog rock, psychedelia, robots, rubbery, shimmery, soaring, soothing, sprawling, swirling, Yes…

These are things that came to mind based on my own music collection, experiences, and exposure – some of them may not be relatable or even make sense, I don’t know, but I do know that they popped into my head. This is my first Steven Wilson experience and I feel lucky coming in late on him. Looks like I’ve got some more albums to work back through, that is, if I ever feel like I want to stop listening to this one.

Sincerely,

Constant Listener