Monthly Archives: August 2015

Album Review – WATER FOR YOUR SOUL – Joss Stone

jossstonewaterforyoursoul

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Dear Music Appreciators,

What a cool album cover. Kind of a lofty suggestion though, water for MY soul? Water, with all it’s refreshing, restorative, and life-sustaining qualities, for “my soul?” I hate to be the semantics police (I know, I know, there might be other meanings here) but unfortunately the music on this album doesn’t quite do these implied concepts justice for me.

But for plenty of Joss Stone’s fans, perhaps this album will be sort of like water for their souls I guess, in the sense that Joss always has a beautiful voice and a sort of a hand-holding, healing-soul-sister “we’re all in this together” kind of vibe going on, and lots of people will enjoy and identify with that regardless of what she does on her records.

Yes, there are reggae beats and a wide variety of instruments spread around on this album, and that’s pretty cool and groovy and everything but where is there any sense of joy or fun or at least some good ol’ fashioned showing off of that big expressive voice? Even the “up with people” type songs (such as “Star” or “Clean Water”) seem restrained by an overly busy instrumental background and relatively understated vocals and never quite seem to take off and soar. “Star” hands the big chorus off to a children’s choir for example, which gives the song a sort of plodding, creepy feeling rather than turning it into the jubilant, people-come-together kind of anthem it could have been. And this one particular example of choosing a musical style or effect over a chance to feature Joss Stone’s greatest asset (her voice) might just be symbolic of the main issue that infects the entire album.

In many ways WATER FOR YOUR SOUL is too long and too serious, and it lacks the big vocal moments that have made Joss Stone a pleasure to listen to so many times in the past.

But I criticize because I care. Funny thing is, despite all of it’s issues, with each succeeding listen I’ve found more to like and can’t deny that there are words and music and beats here that want to wear some grooves in my mind. Okay, fine, I’ll take numbers 1 through 5…oh and numbers 7 and 8…basically I’ll take half the album and you can keep the rest.

Sincerely,

Constant Listener

Album Review – SING INTO MY MOUTH – Iron and Wine & Ben Bridwell

singintomymouthironandwine

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Visit the Official Website of Band of Horses (Ben Bridwell)

Dear Music Appreciators,

I woke up this morning singing “The trouble with the straight and the narrow is it’s so thin I keep sliding off to the side.”

And I can’t get it out of my head for some reason.

I can relate to that song and I can relate to the way Ben Bridwell sings it. He seems like the right man for the job – he takes his time and he sounds like the kind of character that knows what he’s singing about. And he keeps up the good vs. evil motif with “Am I a Good Man?” a few tracks later.

And speaking of being a man, in looking at Bridwell’s whole contribution here, it appears that in some sense he plays the man part of this collaborative covers album and Sam Beam (Iron & Wine) plays the woman part. The two singers trade off tracks, with half of the total tracks going to each of them. Bridwell sings “Am I a Good Man?” by the obscure sixties soul duo Them Two, while Beam takes on “Bonnie Raitt’s “Any Day Woman.” Half of Beam’s tracks on the album are by female singer/songwriters. All of Bridwell’s are by dudes.

Not that there’s anything wrong with that, as they say on Seinfeld, and actually this kind of balancing act of musical sensibilities is one reason SING INTO MY MOUTH works well. Bridwell plays the rough-hewn vagabond with the more rustic vocals, singing about stuff like insecurity and isolation and loss, while evoking a sense of having been around the block a number of times and not being much better for the trips. Beam plays the sensitive and bearded hippie with the gentler vocals, singing about love and feelings, and he seems to get the lion’s share of the studio effects on his tracks.

Ironically, I normally prefer just the opposite with these two guys, in the sense that Ben Bridwell sounds better with the type of reverb and studio effects that were dripping from his first three Band Of Horses albums, while Beam sounds best alone with an acoustic guitar and a cassette recorder in his bedroom.

Some may lament the lack of original songs and signature sounds from these two bands. I think I did at first. But take this one for what it is – a fun little collaborative covers album between two musical friends letting their hair down together, so to speak.

If you’re already familiar with any of these songs though, you may be at a disadvantage. You may end up suffering from what I’ll call the “musical comparison conundrum,” where one struggles to overcome one’s predisposition to prefer whichever version of a song one hears first. But being the ignorant musical twit that I am, I hadn’t heard a single one of these songs before. I was able to enjoy these versions for what they are, and then listen to the originals later, which enhanced my appreciation of the songs. But of course I think I preferred Iron and Wine & Ben Bridwell’s versions on every one – meaning that in the end, the above-described conundrum may have gotten me after all.

And basically, my dear music appreciators, what I’m trying to say with all of this blather is that SING INTO MY MOUTH is a groovy, laid-back listening experience that’s worth repeating again and again. Buy it, and perhaps you’ll get some lyrics stuck in your head like I did.

Sincerely,

Constant Listener